My work involves installations that carry a vast evolution of forms. I have always been drawn to tactile materials and processes that foster a meditative state of mind. For me, this state of mind is achieved through the repetitive action of creating multiples. Although most of my work is produced intuitively, it is also informed by my curiosity for biological science and the anatomy of all life, especially botanical life. I see things through a macro lens—investigating the patterns, symmetry and formal similarities that connect our bodies with the natural world.