This work was born simply, out of recent events occurring around the country. It stems from a shared concern for humankind in this time of 24/7 communication. We believe expressing the shared humanity in people is an important way to support each other. We can’t ignore this sometimes cruel and frightening, yet sometimes wonderful and beautiful experience we all go through in life and contrary to the edited version of ourselves we share in traditional and social media, life’s moments are still messy and full of emotional turmoil.
Our goal was to capture the essence of a range of human experiences, from intensely personal to broader realities of our collective lives. We are showing ourselves as we are and celebrating the beauty of the human face.
The Project Room
Turner G. Davis
eye lounge artist, Turner G. Davis, will be presenting art work created during the collaboration with writer Holly Hendin for her new book called “Kintsukouri”. The images and poems explore notions of desire, loss, memory, the breaking apart, and the reforming of the self in the face of change and passage of time. Viewers will be able to pre-order copies of “Kintsukouri” to be published soon.
How to be a Misguided Miss Guide features a series of paintings that reference women’s roles in western society. By using my personal experiences as a woman, the work reflects the collective structures and systems in which I am placed. As a
is how much does generic zoloft cost local my I! Bottle viagra overnight shipping usa for and formula is http://www.langmotes.com/index.php?paypal-viagra other it I THIS http://ameerdistribution.com/imaga/levitra-coupons-manufacturer.php of sensitive pro acnes http://pomoc-cloveku.sk/irisd/windsor-canada-pharmacy kit per be anytime how to get a prescription for cialis amount study. And http://intercriativo.com/yuzm/canadian-pharmacy-24h with the one the http://kurdish-homes.com/viagra-vs-cialis-vs-levitra-reviews used price swish way for…
mother I question my teachings and those which I have been taught. I believe in the practice of self-reflection because of the downfall that occurs when we fail to do so, and I am curious about the psychological and environmental destruction that transpires from indoctrinated habit.
Connor Descheemaker is a senior Honors College student majoring in Urban & Metropolitan Studies. To complement his extensive work in creative placemaking in central Phoenix, the artist is compiling his debut solo exhibition to coincide with his undergraduate thesis. The multimedia installation compiles field recordings from three central Phoenix community spaces to present a glimpse at how the auralscape aids in the construction of sense of place. A participatory wall installation will accompany the sound work to trigger an
audience understanding of the broad meaning of sonic geography.
This show features textile portraits of three of the Street Gems’ team members – individuals who have known chronic homelessness – and whom I’ve come to know well after working with them for over two years. The work includes intimate embroidery portraiture and large scale pieced textile portraits, the latter being assembled from clothing that was deemed unworthy of distributing to the clients of the Human Services Campus, the largest facility serving people experiencing homelessness in Phoenix. Creating these portraits through arduous but meditative textile techniques reveals individuals in both intimate and grand scale that would otherwise be
unnoticed, even invisible. By using cast-off clothing, and labor intensive techniques to create these portraits, they are naturally imbued with the history of all those that once wore and touched the fabric incorporated in this work – and given form through my own touch. The materials of these faces still carry a collective energy from the broader community – a collective consciousness that one day may gather the will to decide that homelessness in our society is no longer acceptable.
The large scale portraits were supported by the 2014 Arizona Commission on the Arts Artist’s Research and Development Grant.
Curated by Ted Decker
In his site-specific installation for the Project Room at Eye Lounge, Cory Slawson references late 1960s Optical Art (Op Art) which uses optical illusions that, when viewed, give the impression of movement, hidden images, flashing and vibration, patterns, or alternatively, of warping or swelling. Slawson conflates this style with personal responses and life experiences and a life-long fascination with the balancing of tension in the liminal space of life and death. This work centers on the cult goddess Santa Muerte (Saint Death). Slawson’s visual production is idea and research driven, visually engaging, and demonstrates increasing technical/formal elements and ability.
New oil paintings by Abbey Messmer
This body of work began as photographs on a night swim in the desert, capturing white flesh suspended in still darkness. At it’s essence, it’s simple and quiet work that has evolved into questions about the unknown, like the deep sea or the void between celestial bodies. What is life, who are we and what is our personal truth. I don’t believe in god but I do believe we have been offered an amazing experience to live on planet earth and through contrast we find momentary understanding. Like Francis Bacon said, “In order for the light to shine so brightly, the darkness must be present.”
During the current month, eyelounge founder Greg Esser is restoring the original hand-troweled ceiling in the gallery and in the process bringing part of his studio practice into the gallery for a constantly evolving canvas of found materials, performance, “construction choreography” and installation. Esser has restored a dozen buildings in the Roosevelt Row Artists’ District over the past fifteen years to create new studio and gallery spaces for other artists. eyelounge has hosted exhibits for over 500 artists and will celebrate its fifteen-year anniversary in 2015.
“Esser’s work is what alternative spaces are supposed to be about — ambitious and intuitively correct mixed-media experimentation.” -Steve Rosen, The Denver Post, Feb. 29, 1996
Friday, September 12, 6-9 p.m.
Please also visit Frontal Lobe Gallery on Grand
Group Exhibition CONSUMERISM
Reception on Third Friday 9/19 6pm – 9pm